Showing posts with label polychromy. Show all posts
Showing posts with label polychromy. Show all posts

Sunday, 14 August 2011

The Church Of Perpetual Experimentation Film (full version)



Thanks to youtube's new up-to-15min allowance Im following up the posting of Objectification with the full version of the Church of Perpetual Experimentation, which I had only posted previously either in chunks, or as a reduced and sped-up version which sounded like it was being read out by a breathless helium-addict.
Further images and drawings can be seen here in a previous post. The blurb from the youtube page below...
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A sprawling new church in the southern Roman suburb of EUR, set within the fictitious context of a new pontificate that is devoted to the massive restructuring and expansion of the church, its liturgies and its architecture. The site in EUR is set aside by the new pope as a field of experimentation, where the doctrinal and liturgical innovations being developed over the Tiber in the Vatican are immediately put to test and trial with the practising -- and non-practising -- public. All development in the work is structured around the theme of Assemblage, so that all scales, from structural unit, through to the composition of those units into spaces, and then the arrangement of those spaces themselves, are governed by a logic of assemblage, aggregation, and eventually in time (the project evolves over many postulated years) recombination. The eventual recombination being made possible by each type of space being constructed out of discrete units which themselves are durable and easy to re-use.

The project achieved High-Pass in Technical studies and involved the fabrication of numerous models that were at once structural and aesthetic experimentations, as well as technical drawings, and large drawings that describe the spaces involved, their development, and their implicit narratives, and this video that pulls the drawings, models and narrative together into one complete, architectural story.

Tuesday, 5 July 2011

Complex 1



If Randolph Hearst had collected authentic pieces of original 21st century malls, from around the New World's latest economic frontiers...

Friday, 31 December 2010

Building 1



Pastel pillboxes, florid piles, some indeterminate in between and a door somewhere, inside. 


Sunday, 5 December 2010

Digital Ceramics: Architectural Tiles and 1:1 Prototypes



^Michael Wetmore's wall
Phase 1 of Madam's Digital Ceramics course at the AA just concluded with a final presentation last wednesday (see here for the page @Madam). Each student fabricated a 1:1 section of a ceramic wall, from computer design, through the whole process of milling of the negative mold, repeated casting, glazing, firing, and eventual assembly of their piece, including the design and implementation of a mechanical, and preferably removable ad adjustable system of attachment.



^Thomas Michael's book
The design and fabrication process was documented in a book, one of which above, which was where they could archive the series of experiments, revisions, conclusions, successes and failures that led to their final process. I have uploaded Michael Wetmore's book as an online pdf HERE.



^Anna Muzychak's self-supporting tiles
In response to the brief's requirement that the attachment of the tiles be a designed system, Ana above created a wall of tiles that can hold itself up as a screen without the need of additional support beyond the joints between each unit.



^Minh Van's Turquoise and Gold



While some students attempted to make their tiles as three dimensionally symmetrical as possible, Greta here focussed on making the joints between tiles disappear as much as possible, creating variation in density across large areas with a series of three tiles.



^Alexandria Mathieu and her wall



^Michael Presenting His tiles






^Christina Dreibholz's wall



^Akhil Bakhta's work


Look out for the faces...



^Anny Stephanou








^Fortuné Penniman


^Thomas Michael


Thomas developed a system for attaching his tiles which used Guitar machine-heads, in order that he could continue to adjust the position of, and relative strength with which the tiles were held to his panel.


Monday, 21 September 2009

Animation Of a Multi-Nave

A test animation using rhino's bongo animator, and edited on Adobe Premiere.
Quite happy with it, except for the awful quality of the youtube upload.


The video above is cut to half its width by Blogger, go here for the full version
The music is part of a song called "Painter" from Momus' 1991 album Hippopotamomus, which you can download here, thanks to the man also known as Nick Currie.


Above is an image of the main space that is in the animation.

Monday, 13 April 2009

Performative Space I


This is the Image which is going to go with my films of 'People Watching People' and 'Recollections From Within The Crowd', in the AASALON exhibition which will open on May 1st.


This is the text that goes with it:

It expanded, pulsing like a dead body heaving with unescaped noxious gases, breaking out with scars, patches and wounds of colour as if bacterial mould and mildew were painting the bowels of this torrid place with the florid marks of a tropical disease. Seats tipped over and disappeared into the folds between columns that began to bulge like the faces of men having heart attacks, swollen beyond use and marked across, slashed all over with tattoos as desperate in their relentless acreage as the panting breaths of a suffocating dog. The stage was lacerated until it bled red and was then hurled over to a place where it lay, sinking into the Technicolor mess that groaned and swelled around it.