Friday, 31 December 2010

Building 1

Pastel pillboxes, florid piles, some indeterminate in between and a door somewhere, inside. 

Sunday, 19 December 2010

Aoyama Tower

An image from a speculative proposal for a tower on Omotesando Street, designed over @ Madam. Full info here.

Sunday, 5 December 2010

Digital Ceramics: Architectural Tiles and 1:1 Prototypes

^Michael Wetmore's wall
Phase 1 of Madam's Digital Ceramics course at the AA just concluded with a final presentation last wednesday (see here for the page @Madam). Each student fabricated a 1:1 section of a ceramic wall, from computer design, through the whole process of milling of the negative mold, repeated casting, glazing, firing, and eventual assembly of their piece, including the design and implementation of a mechanical, and preferably removable ad adjustable system of attachment.

^Thomas Michael's book
The design and fabrication process was documented in a book, one of which above, which was where they could archive the series of experiments, revisions, conclusions, successes and failures that led to their final process. I have uploaded Michael Wetmore's book as an online pdf HERE.

^Anna Muzychak's self-supporting tiles
In response to the brief's requirement that the attachment of the tiles be a designed system, Ana above created a wall of tiles that can hold itself up as a screen without the need of additional support beyond the joints between each unit.

^Minh Van's Turquoise and Gold

While some students attempted to make their tiles as three dimensionally symmetrical as possible, Greta here focussed on making the joints between tiles disappear as much as possible, creating variation in density across large areas with a series of three tiles.

^Alexandria Mathieu and her wall

^Michael Presenting His tiles

^Christina Dreibholz's wall

^Akhil Bakhta's work

Look out for the faces...

^Anny Stephanou

^Fortuné Penniman

^Thomas Michael

Thomas developed a system for attaching his tiles which used Guitar machine-heads, in order that he could continue to adjust the position of, and relative strength with which the tiles were held to his panel.