Showing posts with label gold. Show all posts
Showing posts with label gold. Show all posts

Monday, 19 December 2011

Architectural Performance: People Watching People


An animated description of four spaces of performance, where through the passive agency of precisely calibrated architectures, the emphasis is as much on the space surrounding and between the spectators themselves as on the stage/dais itself.


Thursday, 28 October 2010

Clip of "Her Chambre Bleue", Performed at The Hospital Club









A performance of two discrete but simultaneous parts by Ilona Dorota Sagar with text and spoken word by me, whic you can see in full here over on TextBin. Dancers dressed in blue moved around the space (a bar and socialising space in a relatively exclusive members club in Covent Garden, London) blocking people's paths, dividing the crowd, slipping between and under people, and splaying themselves along the walls, bar and carpet; at the same time four actors dressed anonymously approached people as if they were acquainted, and eagerly told them a strange tale (which was my contribution to the performance) about the dancers, the room they were in, and how, in some way, its sagging velour walls and velvet ropes were all lit in the critical blue light of the Salons of old, of the bright and refined conversations of the Hotel de Rambouillet, its cashmere and marble fittings, and its sparkling wits.
The video is a short snippet (all that my camera's CF card could hold) of one moment of the performance when the dancers were weaving their way through the crowd, after just having just divided the room in two. The actor, whose conversation piece I caught a second of in the film, started talking to a person behind me just as this was going on.

Saturday, 17 April 2010

Two Follies


Two small silver objects, one with gold-plating to its upper interior, from a range that includes this castle-bridge-ring, and an indefinite number of other potential variations.


They were both made from hand-carved wax using lost-wax casting






and are intended to multiply, populating the nooks and crannies of a home



turning its bookshelves, wainscotting, treads and cupboard-tops into a Penguin paperback and Ikea flatpack




interior romantic garden, through which eyes tired from the strain of the computer screen can go for jaunty mid-afternoon saunters, wandering over worktops, and between lampshades, occasionaly taking refuge under the light whimsy of a minute folly.