A student from Central Saint Martins' MA course "Creative Practices for Narrative Environments" sent me a package with two pieces of folded A2 paper, three pens, and a little instructions slip (above). One person had to draw on a third of one of the pages, then jot down any relevant notes or sketches on the second; the package was then to be given to another person to do the same, and then onto a third who would complete the two pages and send the pack back to the original sender.
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I eventually ended up with the drawing pictured above (and detailed below), of a potentially extensive series of collected elements that relate to a particular mixture of memories -specifically those related to forms, surfaces and objects- which for me define a rather fondly recalled summer, long since past. A summer that looms larger the further away I get from it, and whose constituent buildings and experiences become proportionately more potent, and full of longing as they retreat from the lacklustre present.
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Below is a photo of the 'notes page' on which I made a remark about the desire to reaffirm the instinctive pre-training judgement of the unburdened eye, and drew a quick sketch before embarking on the main drawing.
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The pack was then given to Marcel Rahm, Director of the fantabulous Milk Studio Architects, who you can see busily drawing away in the photo below.
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I look forward to seeing the results.
Why it is called Chinese whisper...:p
ReplyDeleteSorry I am chinese but don't know why/
Anyway a interesting piece.
You should just say wiki it..:p
ReplyDeleteBtw...wooo now I know what it is. Still this is the first time I have seen played Chinese whisper in this way.